First, the inspiration behind this post: I am incredibly proud to announce that I sold the teleplay version of my fem scifi novel-in-progress, The Fire Eaters! Huzzah! I sold the teleplay (not the book; important distinction) to an indie book publisher that’s now in the process of shopping it around Hollywood. But, regardless if it ever gets picked up by a studio (wouldn’t that be a trip?), I couldn’t be more proud that my story and characters have garnered such sincere interest. It gives me a real boost of confidence about the prospects for the novel as a whole.
The idea of adapting my own novel was a daunting one at first, even though I’ve adapted plenty of other books in the past. This was partly because I wasn’t even sure I wanted a film/TV version to be made at all (the novel, after all, is still what’s closest to my heart), and also partly because I plain wasn’t sure I’d be able to do it. I wasn’t sure I’d be able to divorce myself enough from the book-version to make the plot and character changes that are (almost) always necessary when adapting for film/TV.
In the end, though, I decided to approach the adaptation as an exercise in revitalizing my energy/creativity/brutality for editing the novel: What subplots and characters truly are unnecessary? Could certain characters be combined, streamlined, or better developed? Could certain symbols and themes be cut, added, or made to work harder?
Stripping the book down to an almost purely dialogue format was also helpful in getting me to reconsider different conversations and dialogue-heavy scenes throughout the book. It allowed me to zero-in on conversations that sounded unnatural, but that I hadn’t noticed before due to all the crowding narration. It also helped me realize when certain conversations weren’t contributing anything at all, just taking up space.
Bottom line: If you’re feeling stuck or uninspired with one of your longer prose projects, try adapting it into a teleplay or screenplay format (and force yourself to be diligent and honest with the genre shift; no teleplays over 45 pages or screenplays over 110!). You might be surprised at how helpful an editorial exercise this can be. Alternatively, you can try your hand at things like Bartleby Snopes’s 8th Annual Dialogue-Only Contest. Submissions end on September 15th, but the perks and usefulness of the challenge itself apply all year long 🙂
Keep Writing! Keep Reading!
Feature image owned by KC Mead-Brewer